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The pioneer of Egyptian nationalism in musical style

 The pioneer of Egyptian nationalism in musical style


A brief history of the Arab Republic of Egypt

Both the Arabic language and the old Egyptian language are Afroasiatic languages.


The rule of Muhammad Ali of Egypt drove Egypt to a further developed degree of industrilazition in correlation with Egypt's neighbors, alongside additional revelations of relics of old Egyptian civilization.


The Urabi development during the 1870s and 1880s was the main significant Egyptian patriot development that requested a finish to the supposed oppression of the Muhammad Ali family.


And requested controling the development of European impact in Egypt, it battled under the patriot motto of Egypt for Egyptians.


Hassan Ahmed Rashid (1896 - 1969).

  •  He was orphaned when he was three years, and he was appointed by a sis. 

 
  • He grew up in an environment where literature pleases, with many artists, like the late Muhammad Taimur and therefore the writer Mahmoud Taimur, so it's no wonder that we discover a source of art that sneaks into the identical transparent. 

 
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  • Not only that, but he loves music, and I have a reputation for it.

 
  • Not only that, but he was accustomed emulate Sheikh Salama Hegazy in his singing, mastered Arabic singing, and played the oud instrument. 

 
  • As soon as he completed his educational activity, he entered the university, where he obtained a Bachelor of Agriculture in 1917 and didn't forget his beloved hobby. 

 

  • He studied music together with the science of cultivation and obtained a diploma from the Royal College of Music in London with a specialization in violin and operatic singing. 

 
  • He also participated in concerts held by the university that Get out of it.

 
  • Then he returned to his homeland in 1918 and married the artist, Bahija Rashid, who was a supporter of art, and her house was sort of a game, performing the mechanism of each amateur to satisfy his desire from the atmosphere of the music that dominated this noble house.

 
  • In the year 1942, he established with the late Dr. Ali Mishrifa and other music lovers (the Egyptian Society of Music Amateurs) .

 
  • Their goal was to spread music culture amongst youth, and it had been held within the month of March of that year first A lyrical music concert within which international songs were translated into Arabic, and Hassan Rashid himself participated within the singing, as he was playing a melodious, bar-like voice.

 
  • Piano instruments were also played by the late Youssef Grace and Abu Bakr. A number of the pieces were played together. 

The most important documented: - 

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  1. Antonio's opera was killed in three chapters in 1947, and also the last scene from the third chapter was presented in December 1949.

  2. The group of youth songs for him and his wife, Bahija Rashid. Here we mention the songs that he composed during this group, which are: -

  •  - Time for soprano or tenor (from complete Gilani systems) Ikram (Salaam Ali) for Soprano or Tenor (Poetry of Baha Zuhair ) Remember me for Tenor (Rashid Ayoub 's poetry)

 
  •  - Eid Misr (Live the Nation) (organized by Kamel Al Kilani ) Guys of the Valley (complete Kamel Al Kilani ) - Ladder of the arrival of the Grand 3- Stripping the sword (Trailer) (Rasheed Ayoub Systems) 

     

  • My country: for Corral

     

  •  Birds: a song for soprano

     

  • Good evening: A song for Soprano and El Tenor 

 
  • The six promised me, my heart: Tenor 

 
  • For children: Rabbit of the Valley National indicators in action: -

 
  1.  Nationalism and a pill of dullness appeared in various songs just like the country - my country - the youth of the valley 

    • 2- Antonio's opera: - Sources of tunes: -

 

Hassan Rashid is that the first Egyptian music composer to write down sober and exquisite Arabic lyrics within the melodies, and he wrote the primary Egyptian opera, which consists of three chapters supported the prince of poets Ahmed Shaky within the novel Cleopatra’s death.


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